Simplex APOGEE Bedienerhandbuch Seite 15

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Loosen the focus/azimuth clamping screw and set the focus and azimuth by running the “pink noise” loop
and adjusting the signal pickup assembly in the same manner as a conventional slit lens. Finalize the “A”
chain installation by again checking the L.E.D. adjustment using Dolby Cat. No. 566 “illumination unifor-
mity” test film. Perform a final “Dolby” level set, and complete any other steps specified by the manufacturer
of the sound processor.
DIGITAL ALIGNMENT
Preliminary Adjustment
Power up the second LS-40 Power Supply and the Audio Processor.
Check for 550 mA output to the digital (outer) L.E.D.
Connect a dual-trace oscilloscope to the left and right test points of the
processor pre-amp.
Thread and run Dolby Tone Test film (Cat. No. 96t).
Observe oscilloscope traces and “Dolby” level indicators in the processor.
If tone is visible on both channels, set to “Dolby” level.
If not, check the L.E.D. alignment and focus the optics. Then set
“Dolby” level.
Thread and run SMPTE “Buzz” track.
Adjust horizontal positioning locknut as required to obtain (2) very low,
equal residual signals.
Analog L.E.D. Alignment
The analog L.E.D. must be aligned before the digital.
Turn both left and right channel pre-amp gain adjustments on your cinema
processor to full down; if using a Dolby CP-500, turn to 50%. The goal is to
have equal gain on both channels.
Thread and run Dolby Tone Test film (Cat. No. 96t).
View the pre-amp outputs on the oscilloscope screen.
Rotate the analog L.E.D. mount assembly to reach the maximum ampli-
tude of both traces.
Move the assembly laterally to get both traces as high and equal as possible.
Complete the standard “A” chain alignment.
L.E.D. Head
Clamping Screw
Focus/Azimuth
Clamping Screw
Impedance Drum
Azimuth Adjust
Focus Adjust
Horizontal
Positioning
Locknut
Analog Soundtrack
Digital Soundtrack
Analog Signal
Pickup Assembly
10
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